Pausanias, Description of Greece 5.26.2: Difference between revisions

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I found the dedications of Micythus to be many in number and not all together.  And after those of Iphitus of Elis, and those of Ekecheiria surrounding Iphitus’, the offerings of Micythus contained the following images: Amphitrite, Poseidon and Hestia.  Glaucus the Argive is their sculptor.  On the left side of the great temple he dedicated others: Demeter’s girl, Aphrodite, Ganymede and Artemis, the poets Homer and Hesiod, and then gods again, Asclepius and Hygeia.
I found the dedications of Micythus to be many in number and not all together.  And after Iphitus of Elis, and Ekecheiria crowning Iphitus, the dedications of Micythus contained the following images: Amphitrite, Poseidon and Hestia.  Glaucus the Argive is their sculptor.  On the left side of the great temple he made other dedications: the Maiden, daughter of Demeter, Aphrodite, Ganymede and Artemis, the poets Homer and Hesiod, and then gods again, Asclepius and Hygeia.
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Revision as of 21:42, 29 July 2014

How to quote this translation

τὰ δὲ ἀναθήματα Μικύθου πολλά τε ἀριθμὸν καὶ οὐκ ἐφεξῆς ὄντα εὕρισκον, ἀλλὰ Ἰφίτου μὲν τοῦ Ἠλείου καὶ Ἐκεχειρίας στεφανούσης τὸν Ἴφιτον, τούτων μὲν τῶν εἰκόνων ἔχεται τοσάδε ἀναθήματα τῶν Μικύθου, Ἀμφιτρίτη καὶ Ποσειδῶν τε καὶ Ἑστία· Γλαῦκος δὲ ὁ ποιήσας ἐστὶν Ἀργεῖος. παρὰ δὲ τοῦ ναοῦ τοῦ μεγάλου τὴν ἐν ἀριστερᾷ πλευρὰν ἀνέθηκεν ἄλλα, Κόρην τὴν Δήμητρος καὶ Ἀφροδίτην Γανυμήδην τε καὶ Ἄρτεμιν, ποιητῶν δὲ Ὅμηρον καὶ Ἡσίοδον, καὶ θεοὺς αὖθις Ἀσκληπιὸν καὶ Ὑγείαν.

I found the dedications of Micythus to be many in number and not all together. And after Iphitus of Elis, and Ekecheiria crowning Iphitus, the dedications of Micythus contained the following images: Amphitrite, Poseidon and Hestia. Glaucus the Argive is their sculptor. On the left side of the great temple he made other dedications: the Maiden, daughter of Demeter, Aphrodite, Ganymede and Artemis, the poets Homer and Hesiod, and then gods again, Asclepius and Hygeia.


Relevant guides Homer: A Guide to Sculptural Types