Who We Are

Staff

Barbara Graziosi

Barbara Graziosi is Principal Investigator of Living Poets: A New Approach to Ancient Poetry. She is Professor of Classics at Durham University, and Director – for the Arts and Humanities – of the Institute of Advanced Study. She is the author of Inventing Homer: The Early Reception of Epic (Cambridge, 2002), and co-author with Johannes Haubold of Homer: The Resonance of Epic (London, 2005) and Iliad 6: A Commentary (Cambridge, 2010). Together with Emily Greenwood she edited Homer in the Twentieth Century: Between World Literature and the Western Canon (Oxford, 2005); and, together with G. R. Boys-Stones and P. Vasunia, she edited The Oxford Handbook of Hellenic Studies (Oxford, 2009). Her latest book, The Gods of Olympus: A History, will appear in 2013 (in British, American, German, Dutch and Italian editions). She regularly reviews for The Times Higher Education Supplement, and writes for the London Review of Books.

Sarah Burges Watson

Nora Goldschmidt

Nora Goldschmidt is Research Fellow in Latin Literature and its Reception and, from October 2013, will hold a lectureship in Classics and Ancient History at Durham University. She is trained in both Classics and English and has a strong interest in classical reception: her article on Ennius’ post-textual reception in the Renaissance is available in Classical Receptions Journal 4.1 (2012), 1−19; her monograph Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid, is forthcoming in the Oxford Classical Monographs series. Her current project, Lives and Afterlives of the Roman Poets, examines the biographical receptions of the Roman poets from antiquity to modernity. Rather than see poetic biography as a species of history, the book will treat biography as a creative mode of reading ancient texts, explored through a series of case studies from the thirteenth-century De vetula, a pseudo-autobiography written in Ovid’s voice, to the modern ‘death of the author’ in Broch’s Der Tod des Vergil (1945).

Nick White

Nick White is the IT research consultant for the Living Poets project. His background is in the social sciences, holding a BA and MA in Anthropology from the Universities of Lampeter and Sussex respectively. Since then he has done a variety of web development and system administration jobs. He has been involved in the free and open source software community for some years, regularly contributing code to a wide variety of different projects, and maintaining several. Since joining Living Poets he has started to learn Ancient Greek, developed Optical Character Recognition for the language, and published an article about training the Tesseract OCR program to recognise Ancient Greek in Eutypon 28-29.

Erika Taretto

Erika Taretto is a doctoral research student at Durham University, and holds BA and MA degrees in Classics from the University of Turin. Her doctoral dissertation, Poets and Places of Ancient Greece, focuses on a selection of sites linked to the biographies of the ancient Greek poets, such as Thebes (Pindar), Paros (Archilochos), and Alexandria (Homer). Since antiquity poetic landscapes have played a central role in shaping the relationship between poets and their admirers. Erika collects and analyses evidence for the cult of poets, and for (pseudo-)biographical stories involving poets in specific landscapes. The aim of her research is to investigate the role of landscape in the formation and transmission of the biographical poetic traditions.

William Wallis

William Wallis is a doctoral research student at Durham University. He studied Classics at Christ’s College, Cambridge, and graduated with a first-class BA in 2011. William is interested primarily in ancient sculpture and its reception and re-use from antiquity to the present day. His doctoral dissertation, Looking at Portraits, Reading Biographies: The Relationship between Lives and Images, focuses on how ancient portraiture was related to the biography and re-imagination of its subjects, on how this relationship between representation and biography changed over time in the classical world, and on how it has affected the modern study of iconography since the Renaissance. This has led to a particular interest in the collections and publications of Fulvio Orsini, whose work is fundamental both for the reception of ancient portraiture and for the development of modern iconography.

Senior Collaborators

• Peter Heslin
• Andrew Laird
• Verity Platt
• Divya Tolia-Kelly

Research Assistants

• Paola Bassino
• Francesca Richards